Welcome to my website!

I'm a weaver, writer, world traveler, and generally adventurous person. Among other projects, I'm currently writing a book about the creative process in craft, scheduled to be published by Schiffer Publishing in 2016.

In this website, I have shared some of my many interests. If you are curious about anything, drop me a line at !

Selected Works

Reborn in Fire: Phoenix Rising

Reborn in Fire: Phoenix Rising is the first in a series of pieces examining death and rebirth through the reborn phoenix.

The Celtic Braid Cape

My Celtic Braid Cape, inspired by a year spent working in an unheated garage! I wanted a luscious, yummy fabric to keep me warm on cold winter days. (Published in Handwoven, Jan/Feb 2013.)

Autumn Splendor

For this project, I envisioned a long coat with autumn leaves “falling” over a background that also shaded through autumn colors. The swooping curves and leaf patterning evoke an autumn sunset.

Kodachrome Coat

Kodachrome was my response to the Handwoven Garment Challenge issued in early 2011. A fiesta of color, it was also my response to spending a year weaving and sewing an all-white wedding dress!

wedding dress

This wedding ensemble took one year and over 1000 hours of work to complete. I not only designed and wove the fabric, but also designed and sewed the dress myself, with help from Sharon Bell. There are three fabrics in this wedding ensemble – an eternity knot pattern, a Chinese double-happiness character pattern (the double-happiness character signifies a happy marriage), and a three-strand Celtic braid pattern. Together they symbolize a wish for eternal happiness in marriage!

Lava Flow

The Handwoven Magazine “Not Just for Socks” reader challenge inspired this shawl, a collapse weave in two different sock yarns. I was rummaging through my stash of sock yarns for the contest, and found some Cascade Fixation, an elastic sock yarn with a crinkled appearance that reminded me of cooled lava. This, in turn, brought to mind my trip to Hawaii and the beautiful rivulets of fire in the lava flows there. So I set out to recreate the beauty of flowing lava, fiery ruffles against crinkly black stone, flecked with fire.

Most Recent Blog Entry

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So much has happened in the last few days that it’s hard to know where to start!

Book-wise, I was getting rather frustrated while waiting for the publisher to get back to me with some contacts to interview. Then it finally dawned on me (DUH!) that I didn’t have to wait for the publisher to set up contacts for me, I could reach out to people myself! So I put together an introductory letter, did some Googling to find people to interview, and started emailing people. To my delight, the vast majority of them have said yes!

The following people have said yes so far:

  • Kaffe Fassett (legendary in knitting, quilting, and quite a few other fiber arts)
  • Roy Underhill (who has his own PBS series on woodworking)
  • Tim McCreight (author of fifteen books on metalworking)
  • Jane Dunnewold (renowned surface design artist, and author of the seminal books Complex Cloth and Art Cloth)
  • Yoshiko Wada (world expert in shibori dyeing)
  • Archie Brennan and Susan Martin Maffei (legendary tapestry artists)
  • Tommye Scanlin (also a very well known tapestry artist)
  • Joen Wolfrom (a renowned quilter who has written several books on design)

That is eight people out of ten interview requests – which is not at all bad considering I only started sending out requests two days ago! I am super excited. I am planning to do 30-40 interviews total, so I am about 25% booked already.

I’m also pleased to say that I have found someone to transcribe the interviews – my friend and fellow weaver Laura Fry, who transcribed the WeaveCast podcasts, will be doing the transcriptions. Thank you, Laura!

My intent is to spend the next six weeks or so interviewing people, then take a couple weeks off for chocolate season (which will also give Laura time to transcribe the interviews), and then start writing like a maniac. I have ten and a half months to turn in the manuscript, so that will leave me eight months in which to write and polish the book. Taking out two months for polishing and slip-time, that comes out to 2.5 chapters per month. That is quite a task, considering I also have to read, take notes on, and organize all my transcribed material. So I think it is safe to say that, while I will continue working on it, Phoenix Rising will not finish next year. Too bad, but the book is also really important to me, and it has a much more pressing deadline.

Speaking of Phoenix Rising, I have made a small modicum of progress on the shadow weave warp. After breaking a TON of threads, I asked for help on the WeaveTech mailing list. Ian Bowers and Sara von Tresckow suggested sizing the warp with spray starch, which I did. After unsticking the warp and fixing some more broken threads, I kept having problems until I raised the beater slightly and also started double-beating to clear the shed for each pick. And lo and behold, I managed to weave an entire inch with only one broken thread:

shadow weave warp, sized and ready for weaving

shadow weave warp, sized and ready for weaving

That may not seem like much, but after all the struggles with this warp, it’s HUGE.

The next step after that was to knit up a test blank, wash and unravel it, and then weave a sample to determine how many rows of blank I need per inch of weaving. That will allow me to figure out the length of blank to knit for each panel – they’re about 32″ long and change color down their length. The colors in the weft need to change in the same sequence as the colors in the warp, so accuracy is important.

Since I just bought a new-to-me motorized knitting machine, of course the next step was to set up and figure out how to use the knitting machine. After much fiddling, I managed to get it assembled and working in manual mode (i.e. without motor). Fritz was kind enough to supervise, as you can see:

Fritz supervising work on the knitting machine

Fritz supervising work on the knitting machine

(You’ll notice he’s sitting exactly where I need to put the cone of yarn in order to actually use the machine. “It’s all part of the service,” says Fritz. :-) )

After I got it working, the next step was to plug in the motor. Mike helped me figure out the power etc., and we got it hooked up correctly. We turned on the motor and moved the carriage about a quarter way down the machine. Fifteen seconds later, there was a loud BANG!, and white smoke started coming out the back of the motor. Oops.

Mike thinks it might be a bad capacitor, which would be repairable, but we haven’t figured out how to get the case open yet. It might have fried the circuit board, though, which would be much more difficult (and quite probably impossible) to repair. I’m crossing my fingers that it’s repairable; we’ll find out more this weekend, when we finally have time to work on repair.

So that’s where I am. I have two interviews booked for Saturday, and three more next week – which doesn’t sound like much, but I want to spend some time researching each interviewee first, so I’m properly prepped for the interview. So I am basically booked for the week. I also have fifteen pounds of quinces, fourteen pounds of pears, and fifteen pounds of lemons that are begging to be made into various flavors of jam. That takes a back seat to the book, but I’m still hoping to get some of those done on Sunday.

Finally, Mike, my friend/critique partner Lieven, and his girlfriend Leslie and I all went out to The Plumed Horse (a Michelin one-star restaurant) last week to celebrate the book deal, Google, etc. Here we are in The Plumed Horse’s wine cellar:

Leslie, Lieven, me, and Mike at The Plumed Horse

Leslie, Lieven, me, and Mike at The Plumed Horse

I was quite happy when the mignardises (small treats to follow dessert) came out. I got this one:

mignardises plate at The Plumed Horse

mignardises plate at The Plumed Horse

They are mint chocolate macaroons, peach fruit jellies, and vanilla madeleines. Very tasty.

And, the cats. I’m grateful that they get along so well – in addition to chasing each other all over the house, they love to snuggle up to each other, as you can see here.

Fritz and Tigress snuggling

Fritz and Tigress snuggling

And that’s it until next time!

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