Welcome to my website!

I'm a weaver, writer, world traveler, and generally adventurous person. Among other projects, I'm currently writing a book about the creative process in craft, scheduled to be published by Schiffer Publishing in 2016.

In this website, I have shared some of my many interests. If you are curious about anything, drop me a line at !

Selected Works

Reborn in Fire: Phoenix Rising

Reborn in Fire: Phoenix Rising is the first in a series of pieces examining death and rebirth through the reborn phoenix.

The Celtic Braid Cape

My Celtic Braid Cape, inspired by a year spent working in an unheated garage! I wanted a luscious, yummy fabric to keep me warm on cold winter days. (Published in Handwoven, Jan/Feb 2013.)

Autumn Splendor

For this project, I envisioned a long coat with autumn leaves “falling” over a background that also shaded through autumn colors. The swooping curves and leaf patterning evoke an autumn sunset.

Kodachrome Coat

Kodachrome was my response to the Handwoven Garment Challenge issued in early 2011. A fiesta of color, it was also my response to spending a year weaving and sewing an all-white wedding dress!

wedding dress

This wedding ensemble took one year and over 1000 hours of work to complete. I not only designed and wove the fabric, but also designed and sewed the dress myself, with help from Sharon Bell. There are three fabrics in this wedding ensemble – an eternity knot pattern, a Chinese double-happiness character pattern (the double-happiness character signifies a happy marriage), and a three-strand Celtic braid pattern. Together they symbolize a wish for eternal happiness in marriage!

Lava Flow

The Handwoven Magazine “Not Just for Socks” reader challenge inspired this shawl, a collapse weave in two different sock yarns. I was rummaging through my stash of sock yarns for the contest, and found some Cascade Fixation, an elastic sock yarn with a crinkled appearance that reminded me of cooled lava. This, in turn, brought to mind my trip to Hawaii and the beautiful rivulets of fire in the lava flows there. So I set out to recreate the beauty of flowing lava, fiery ruffles against crinkly black stone, flecked with fire.

Most Recent Blog Entry

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Flavor trials, Part I

I trialed nine flavors over the weekend, seven of which wound up as full-fledged bonbons:

First flavor trials

First flavor trials

Here’s the set of flavors:

  • Walnut-caramelĀ  gianduja with cinnamon milk chocolate ganache
  • Cinnamon milk chocolate ganache
  • pistachio ganache
  • pear, sage, honey fruit jelly with honey ganache (dark chocolate, milk chocolate, white chocolate variations)
  • Honey dark chocolate ganache
  • pistachio/white chocolate gianduja and dark chocolate kirsch ganache
  • Kaffir lime, lemongrass, ginger, coconut milk caramels

Of those, only the first one is a serious contender for inclusion into the boxes. It’s wonderful. I made the walnut paste myself, toasting the walnuts in a 300 degree oven. I then made a batch of caramel, melting sugar and heating it to a rich amber shade. Once the caramel was cool, I ground the walnuts and caramel together in a food processor for about twenty minutes, until the walnuts became a smooth paste with tiny crispy-crunchy bits from the caramel. Then I mixed in dark chocolate, tempered it, and poured it into a frame to set.

Once the gianduja was set, I steeped cinnamon in boiling cream and strained it into a bowl of chopped milk chocolate. I waited a little for the cream to melt the chocolate, then stirred it all together into a nice smooth pudding-like ganache. Added some butter, and poured it into the frame on top of the gianduja. After the top layer set, I cut it into squares with my confectionery guitar and dipped them in dark chocolate. Lovely!

What I love about this particular flavor is the variety in textures. I had intended to grind the caramel-walnut paste completely smooth, but the caramel wouldn’t cooperate, so I wound up with tiny crunchy bits. This actually turned out to be a bonus! as it added textural interest to the ganache and also a little burst of caramel flavor towards the end of the chocolate. The cinnamon complemented the walnut-caramel flavor without overwhelming it.

It is still not a 100% certainty to go into the boxes (this year’s lineup is particularly strong), but it’s a very serious contender.

Also in contention is the cinnamon milk chocolate ganache. I made it with Ceylon cinnamon, which is sweeter, more complex, and not as “hot” as cassia cinnamon (which is what is usually sold as cinnamon in the U.S.). The result was a great milk chocolate bonbon with a strong-but-not-overpowering cinnamon flavor. The wonderful part is that the cinnamon flavor unfolds over a period of about a minute, changing overtones the entire time. I’m not as in love with it as with the walnut, but it’s really, really good. A candidate for second-string inclusion.

The pistachio ganache also came out very well. I had intended to use commercial pistachio paste, as commercial pastes can be ground much smoother than homemade paste. However, on reading the label, I realized that the first ingredient was almonds (!), and it also included hazelnut oil, “natural flavors,” and chlorophyll to color it green. It was still quite tasty (though with a distinct overtone of bitter almonds), but I couldn’t in good conscience label the resulting chocolate “pistachio”. And it might create problems for people with food allergies. So, I toasted some pistachios and made my own pistachio paste. The result was a lovely ganache with a strong pistachio impact – a great chocolate. My one beef is that it has only one note – pistachio – and I like my chocolates to have many different layers of flavor, unfolding and changing over a period of 30 to 60 seconds. So it is also a second-string flavor. (This does not mean that it won’t go into the boxes, but it’s a “if I have space” flavor rather than an “I must have this!” one)

The pear-sage -honey variants were a bit of a disappointment. I had made some pear-sage-honey jam earlier in the year – lovely! – and had been hoping to capture the magic in chocolate. Unfortunately, pears have a fairly delicate flavor, and the chocolate tended to overwhelm it. The sage wasn’t really detectable, nor was the honey. Probably the most successful variant was pear and white chocolate, which came out as a very nice vanilla-pear combination. Still not inspired, though, so I counted it a failure.

The remaining two flavors were batch failures – meaning they had serious technical issues that would require redoing the test. The pistachio/white chocolate gianduja came out too dense to cut easily, and the kaffir lime/lemongrass/ginger/coconut milk caramels came out too soft to cut. I tested both flavors by dipping a piece into melted chocolate and taste-testing; neither was particularly interesting, so I abandoned the experiment.

One thingĀ  I discovered along the way is that it is quite possible to repair a separated ganache. Every once in awhile, one of my ganache centers will curdle, and in the past I’ve had a lot of trouble getting it back to a smooth consistency. In fact, in the past I’ve typically just thrown the curdled batch out. But this year I tried something different. One of my newer chocolate books (I think it’s Chocolates and Confections by Peter Greweling) discussed the problem of separated ganaches, and asserted that it was typically a temperature problem, rather than a problem with the ratio of ingredients (which was my assumption). The author said that ganache needed to be at 90-94 degrees in order to mix up properly, and if it wasn’t in that range it would likely separate. But to pull it back together, all you had to do was heat/cool it to the correct temperature and stir it up again. So when the white chocolate ganache curdled on me, I tried the new method. And it works!

Here are the “before” and “after” photos:

separated ganache - before remixing at the correct temperature

separated ganache – before remixing at the correct temperature

separated ganache - after cooling to the correct temperature and remixing

separated ganache – after cooling to the correct temperature and remixing

This probably doesn’t seem that impressive to you, but for me it was nothing short of amazing! A solution to a problem that has dogged me for years.

My plan is to trial some more flavors this weekend:

  • Juniper berries, balsamic vinegar, honey, bay leaf
  • Juniper-Hazelnut and honey-cinnamon-vanilla
  • Cranberry caramel vanilla milk chocolate
  • Angostura Orange aromatic bitters, honey
  • Passion fruit habanero
  • Banana coconut cinnamon
  • Cherry Ginger

These are mostly flavor combinations from Jean-Pierre Wybauw’s Fine Chocolates 4 – which I have now read, and which is every bit as excellent as the first three books in the series. If you are serious about chocolate work, it’s a must-have.

Book-wise, I realized (with help from a friend) that the chapter I’ve been writing has a major structural problem. Back to the word processor for a major revision. I haven’t quite had the nerve to start rewriting yet, but I’ll probably start again tomorrow morning.

I’m also thinking that it’s time to start interviewing people again. I now have a pretty good idea of how I’m going to include interview content in the book, and while I have a lot of good material already, I’d like to include some additional crafts – ceramics, basketweaving, glasswork, etc. I am not sure how I will juggle the interviews with chocolate season, but I want to get them done before the holidays, so they need to be done soon.

Finally, here is a picture of domestic bliss: Fritz and Tigress on my ironing board, chittering at squirrels together:

Big cat, little cat

Big cat, little cat

What’s interesting about this photo is that it shows their relative sizes really well. Fritz is a big boy – he weighs almost 50% more than Tigress (12 lbs vs. 8.5), who is more delicate-boned. It’s not obvious most of the time because they’re usually in motion! But side by side, in identical poses, it’s pretty obvious that Fritz is much bigger.

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