Akha weaving

The frame of the loom, basically a set of bamboo posts set in the ground.

Here they are setting up the heddles for threading. The heddles are hand-tied out of cotton string.

Starting to thread the heddles. One person opens the heddle and reaches through, the other person picks out a warp thread and gives it to the threader.

A closeup view of the threading process. This is all plainweave.

The threaded heddles.

Setting up the reed for sleying. The reed is a wood frame with pieces of split bamboo or reed as separators.

Beginning the sleying process.

Sleying the reed using a large porcupine quill. One person puts the quill through the reed...

...and another person sits on the other side holding the threads as they come up from the heddles...

...picks out the correct one, and...

...slips it over the quill so the first person can pull it through.

Setting the shafts, reed, and treadles into the loom.

Tying onto the front beam.

Tying onto the back beam. The Akha do not have a neatly wound warp beam; their warp is wound, then thrown into a bag for storage. When needed, more warp is drawn out of the bag and tied around a post stuck in the ground.

Of course, not having a neatly arranged warp leads to tangles. Here the weaver is starting to untangle the warp.

More hands make the work go faster. The warp is being loosened up and the tangles worked towards the back of the warp.

This warp would have a Western weaver in conniptions, with all the crossed threads - but it all seems to work out in the several yards between the heddles and the post to which the warp is tied.

She was unbelievably fast at winding bobbins using the spindle against her thigh. I tried, but was much slower.

Starting the weaving, by weaving the stick header.

The shuttle, of hand-carved wood. I'm still kicking myself for not buying one.

Throwing the shuttle through the shed.

Weaving along. As the cloth grows longer, instead of advancing the warp the weaver simply moves forward along the loom. When it becomes inconvenient to weave any further, then the warp is advanced. Advancing the warp requires considerable fiddling because of the tangles, so it is done only every couple of feet.

Another woman weaving on the same loom.

My teacher weaving on the loom.

Beating the pick. Notice that the reed is hanging suspended, not fixed in a beater.

A view of the loom showing the heddles and reed. Notice that they are suspended from a pole that goes crosswise across the top of the loom. When done weaving for the day, one simply removes the pole, unties the warp, and rolls everything up into a bundle, leaving only the frame of the loom. This is handy if you are itinerant!

The web forming on the loom.

After enough length is woven, the cloth beam is added. It is a bamboo pole with a slot cut into the pole.

The cloth is threaded through the slot to hold it on the beam.

...and is rolled onto the beam.

This is the brake for the cloth beam.

A closeup of the brake.

When advancing the warp, it is simply untied from the back post and retied at a convenient point. The untangling process needs to be repeated each time the warp is advanced, making advancing fairly time-consuming.

A broken thread is repaired by fastening it to a needle thrust into the cloth.

Me attempting to weave on the loom.

On the last day, they dressed me up as an Akha maiden and put me out front to weave for the tourists.

Don't I make a fine Akha woman?

East meets West....or does it??

They were so happy about their authentic tribal experience that I didn't have the heart to enlighten them. (The Akha, meanwhile, were laughing their collective asses off at the sight of tourists photographing tourists.)

A view of the full loom, for those interested in reproducing it.

A second view of the entire loom.